New Transport typeface. A digital adaption of Transport lettering originally designed by Jock Kinneir and Margaret Calvert in the 1960s. What Font Should I Use Dr. Mark Womack. The Modern Language Association MLA provides explicit, specific recommendations for the margins and spacing of academic papers. See Document Format. But their advice on font selection is less precise Always choose an easily readable typeface e. Times New Roman in which the regular style contrasts clearly with the italic, and set it to a standard size e. MLA Handbook, 7th ed., 4. So which fonts are easily readable and have clearly contrasting italics And what exactly is a standard sizeFor academic papers, an easily readable typeface means a serif font, and a standard type size is between 1. Use A Serif Font. Serifs are the tiny strokes at the end of a letters main strokes. Benton Sans Regular Font' title='Benton Sans Regular Font' />Serif fonts have these extra strokes sans serif fonts do not. Sans is French for without. Serif fonts also vary the thickness of the letter strokes more than sans serifs, which have more uniform lines. Books, newspapers, and magazines typically set their main text in a serif font because they make paragraphs and long stretches of text easier to read. Sans serifs Arial, Calibri, Helvetica, Gill Sans, Verdana, and so on work well for single lines of text, like headings or titles, but they rarely make a good choice for body text. Moreover, most sans serifs dont have a true italic style. Their italics are really just obliques, where the letters slant slightly to the right but keep the same shape and spacing. Most serifs, on the other hand, do have a true italic style, with distinctive letter forms and more compact spacing. Founded in 1990, FontHaus has become a trusted resource for designers to buy font software. Search and find what you need from an online catalog of thousands of fonts. Since theyre more readable for long passages and have sharper contrast in their italics, you should always use a serif font for the text of an academic paper. Use A Readable Type Size. The standard unit for measuring type size is the point. A point is 17. 2 of an inch, roughly one pixel on a computer screen. The point size of a font tells you the size of the em square in which your computer displays each letter of the typeface. How tall or wide any given letter is depends on how the type designer drew it within the em square, thus a fonts height and width can vary greatly depending on the design of the typeface. Thats why if you set two fonts at the same point size, one usually looks bigger than the other. Compare the following paragraphs, both set at 1. For body text in academic papers, type sizes below 1. So keep the text of your paper between 1. Some teachers may require you to set your whole text at 1. Yet virtually every book, magazine, or newspaper ever printed for visually unimpaired grown ups sets its body type smaller than 1. Newspapers use even smaller type sizes. The New York Times, for example, sets its body text in a perfectly legible 8. So with proper spacing and margins, type sizes of 1. Font Recommendations. I usually ask my students to use Century Schoolbook or Palatino for their papers. If your teacher requires you to submit your papers in a particular font, do so. Unless they require you to use Arial, in which case drop the class. One thing to consider when choosing a font is how you submit your essay. When you submit a hard copy or a PDF, your reader will see the text in whatever typeface you use. Most electronic submission formats, on the other hand, can only use the fonts available on the readers computer. So if you submit the paper electronically, be sure to use a font your instructor has. What follows is a list of some widely available, highly legible serif fonts well suited for academic papers. Ive divided them into three categories Microsoft Word Fonts, Mac OS Fonts, and Universal Fonts. Microsoft Word Fonts. Microsoft Word comes with lots of fonts of varying quality. If your teacher asks you to submit your paper in Word format, you can safely assume they have Word and all the fonts that go with it. Morris Fuller Benton designed Century Schoolbook in 1. Its one of the best fonts available with Microsoft Word. Because its so legible, U. S. Supreme Court Rule 3. Court be set in Century Schoolbook or a similar Century style font. Hermann Zapf designed Palatino in 1. Named for Renaissance calligrapher Giambattista Palatino, this font has the beauty, harmony, and grace of fine handwriting. Palatino Linotype is the name of the font included with Microsoft Word Mac OS includes a version of the same typeface called simply Palatino. Microsoft Word includes several other fonts that can work well for academic essays Bell MT, Californian FB, Calisto MT, Cambria, Garamond, and Goudy Old Style. Mac OS Fonts. Apple has a well deserved reputation for design excellence which extends to its font library. But you cant count on any of these Mac OS fonts being on a computer that runs Windows. Finding his inspiration in the typography of Pierre Simon Fournier, Matthew Carter designed Charter in 1. Its ability to hold up even in low resolution makes Charter work superbly well on screen. Bitstream released Charter under an open license, so you can add it to your font arsenal for free. You can download Charter here. In 1. 99. 1 Apple commissioned Jonathan Hoefler to design a font that could show off the Macs ability to handle complex typography. The result was Hoefler Text, included with every Mac since then. The bold weight of Hoefler Text on the Mac is excessively heavy, but otherwise its a remarkable font compact without being cramped, formal without being stuffy, and distinctive without being obtrusive. If you have a Mac, start using it. Iowan Old Style, designed by Iowan sign painter John Downer, emulates 1. Venetian typefaces by Nicolas Jenson and Francesco Griffo, but it blends these designs with more modern features that make it ideal for extended, immersive reading. Like Charter, Iowan Old Style comes with the i. Books app in OS X Mavericks released in 2. If youre running an older version of Mac OS, you wont have these fonts. Other Mac OS fonts you might consider are Athelas another i. Books font, Baskerville, and Palatino. Universal Fonts. Anyone you send your document to will have these fonts because theyre built in to both Windows and Mac OS. Matthew Carter designed Georgia in 1. Georgia looks very nice on web sites, but in print it can look a bit clunky, especially when set at 1. Like Times New Roman, its on every computer and is quite easy to read. The name Georgia comes from a tabloid headline Alien Heads Found in Georgia. Times New Roman is, for better or worse, the standard font for academic manuscripts. Many teachers require it because its a solid, legible, and universally available font. Stanley Morison designed it in 1. The Times newspaper of London, so its a very efficient font and legible even at very small sizes. Times New Roman is always a safe choice. But unless your instructor requires it, you should probably use something a bit less overworked. Font Wikipedia. In modern usage, with the advent of digital typography, font is frequently synonymous with typeface, although the two terms do not necessarily mean the same thing. Upkar Books Free Download In Hindi. In particular, the use of vector or outline fonts means that different sizes of a typeface can be dynamically generated from one design. Each style may still be in a separate font filefor instance, the typeface Bulmer may include the fonts Bulmer roman, Bulmer italic, Bulmer bold and Bulmer extendedbut the term font might be applied either to one of these alone or to the whole typeface. Israeli typographer Henri Friedlaender examines Hadassah Hebrew typeface sketches. The sequence was shot in his study in Motza Illit near Jerusalem in 1. In metal typesetting, a font was a particular size, weight and style of a typeface. Each font was a matched set of type, one piece called a sort for each glyph, and a typeface consisting of a range of fonts that shared an overall design. EtymologyeditThe word font traditionally spelled fount in British English, but in any case pronounced derives from Middle Frenchfonte something that has been melted a casting. The term refers to the process of casting metal type at a type foundry. Metal typeeditIn a manual printing letterpress house the word font would refer to a complete set of metal type that would be used to typeset an entire page. Upper and lowercase letters get their names because of which case the metal type was located in for manual typesetting the more distant upper case or the closer lower case. The same distinction is also referred to with the terms majuscule and minuscule. Unlike a digital typeface, a metal font would not include a single definition of each character, but commonly used characters such as vowels and periods would have more physical type pieces included. A font when bought new would often be sold as for example in a Roman alphabet 1. A 3. 4a, meaning that it would be a size 1. As, and 3. 4 lowercase As. The rest of the characters would be provided in quantities appropriate for the distribution of letters in that language. Some metal type characters required in typesetting, such as dashes, spaces and line height spacers, were not part of a specific font, but were generic pieces which could be used with any font. Line spacing is still often called leading, because the strips used for line spacing were made of lead rather than the harder alloy used for other pieces. The reason for this spacing strip being made from lead was because lead was a softer metal than the traditional forged metal type pieces which was part lead, antimony and tin and would compress more easily when locked up in the printing chase i. In the 1. 88. 0s9. Monotype technology or in entire lines of type at one time as in the Linotype technology. Font characteristicseditIn addition to the character height, when using the mechanical sense of the term, there are several characteristics which may distinguish fonts, though they would also depend on the scripts that the typeface supports. In European alphabetic scripts, i. Latin, Cyrillic and Greek, the main such properties are the stroke width, called weight, the style or angle and the character width. The regular or standard font is sometimes labeled roman, both to distinguish it from bold or thin and from italic or oblique. The keyword for the default, regular case is often omitted for variants and never repeated, otherwise it would be Bulmer regular italic, Bulmer bold regular and even Bulmer regular regular. Roman can also refer to the language coverage of a font, acting as a shorthand for Western European. Different fonts of the same typeface may be used in the same work for various degrees of readability and emphasis, or in a specific design to make it be of more visual interest. The weight of a particular font is the thickness of the character outlines relative to their height. A typeface may come in fonts of many weights, from ultra light to extra bold or black four to six weights are not unusual, and a few typefaces have as many as a dozen. Many typefaces for office, web and non professional use come with just a normal and a bold weight which are linked together. If no bold weight is provided, many renderers browsers, word processors, graphic and DTP programs support faking a bolder font by rendering the outline a second time at an offset, or just smearing it slightly at a diagonal angle. The base weight differs among typefaces that means one normal font may appear bolder than some other normal font. For example, fonts intended to be used in posters are often quite bold by default while fonts for long runs of text are rather light. Therefore, weight designations in font names may differ in regard to the actual absolute stroke weight or density of glyphs in the font. Index Of Parent Directory Windows Iso S more. Attempts to systematize a range of weights led to a numerical classification first used by Adrian Frutiger with the Univers typeface 3. Extra Light, 4. 5 Light, 5. Medium or Regular, 6. Bold, 7. 5 Extra Bold, 8. Extra Bold, 9. 5 Ultra Bold or Black. Deviants of these were the 6 series italics, e. Light Italics etc., the 7 series condensed versions, e. Medium Condensed etc., and the 8 series condensed italics, e. Bold Condensed Italics. From this brief numerical system it is easier to determine exactly what a fonts characteristics are, for instance Helvetica 6. HE6. 7 translates to Helvetica Bold Condensed. The first algorithmic description of fonts was perhaps made by Donald Knuth in his Metafont and Te. X system of programs. The True. Type font format introduced a scale from 1. CSS and Open. Type, where 4. Regular and bold versions of three common fonts. Helvetica has a quite monoline design and all strokes increase in weight less monoline fonts like Optima and Utopia increase the weight of the thicker strokes more and thinner strokes less in bold. In all three designs, the curve on n thins as it joins the left hand vertical. There are many names used to describe the weight of a font in its name, differing among type foundries and designers, but their relative order is usually fixed, something like this Names. Numerical values3Thin Hairline. Ultra light Extra light. Light. 30. 0Book Semilight. Normal regular plain. Medium. 50. 0Semi bold Demi bold. Bold. 70. 0Extra bold extra. Heavy Black. 90. Extra black. Ultra black ultra. The terms normal, regular and plain, sometimes also book, are being used for the standard weight font of a typeface. Where both appear and differ, book is often lighter than regular, but in some typefaces it is bolder. Before the arrival of computers, each weight had to be drawn manually. As a result, many older multi weight families such as Gill Sans and Monotype Grotesque have considerable differences in styles from light to extra bold. Since the 1. 98. 0s, it has become increasingly common to use automation to construct a range of weights as points along a trend, multiple master or other parameterized font design. This means that many modern digital fonts such as Myriad and The.